Stilleven (met roze vogel; linkerdeel triptiek 'Lente')

The impression of domesticity created by the vase of flowers on the checked tablecloth is negated by the goose-like figure emerging on the left. It appears to be calling out, perhaps issuing a mating cry, thus echoing Pan in his role of seducer in the central section of the triptych. The bird’s outstretched head and neck have a phallic appearance, which upon closer examination can also be seen in the middle of the bouquet. It is not entirely clear whether the bird is alive or dead. The pinkish shade indicates that it has been plucked. The line between the neck and the head, which may be feathered, might perhaps reveal the answer, but it is concealed by a single dahlia. It also appears not to be standing on anything solid – the tablecloth stops where the vase starts. The aggressively serrated edge of the curtain on the right also contributes to the uneasy atmosphere. With its expressiveness of colour and form, the planes that make up the image and the artist’s painterly touch, Kruyder’s work shows a strong affinity with Flemish expressionism. But in terms of content, his work sets itself apart from this movement because of its often oppressive character.