Exhibition — 25 Nov 2018 until 17 Mar 2019

‘Freedom of Movement’ brings together artists exploring notions of political agency within the field of time-based media. It is a term that is commonly used to describe civilians’ ability to travel visa-free outside their native land and the theme for the Municipal Art Acquisitions 2018. In 2018 the exhibition focuses on the field of time-based media: artworks that last for a specific length of time, such as film and video work, internet art, performance, dance, sound art, and even workshops.

Each year, the Municipal Art Acquisitions focuses on a different discipline. This year’s edition focuses on time based media: artworks that last for a specific length of time, such as film and video work, internet art, performance, dance, sound art, and even workshops.

  • Basir Mahmood, Monument of Arrival and Return, 2016. Video installation, 9 minutes 36 seconds, courtesy the artist
    Basir Mahmood, Monument of Arrival and Return, 2016. Video installation, 9 minutes 36 seconds, courtesy the artist
  • Rory Pilgrim, Software Garden, 2016-2018. 12 Track Music Video Album and Live Concert, 50 minutes, courtesy the artist
    Rory Pilgrim, Software Garden, 2016-2018. 12 Track Music Video Album and Live Concert, 50 minutes, courtesy the artist
  • Rory Pilgrim, Software Garden, 2016-2018. 12 Track Music Video Album and Live Concert, 50 minutes, courtesy the artist
    Rory Pilgrim, Software Garden, 2016-2018. 12 Track Music Video Album and Live Concert, 50 minutes, courtesy the artist
  • Verena Blok, Work Horse (working title), 2018, Video Installation, courtesy the artist
    Verena Blok, Work Horse (working title), 2018, Video Installation, courtesy the artist
  • Danielle Dean, True Red Ruin (Elmina Castle), 2017. HD video, color, sound, 9 minutes 39 seconds, courtesy the artist
    Danielle Dean, True Red Ruin (Elmina Castle), 2017. HD video, color, sound, 9 minutes 39 seconds, courtesy the artist

The title Freedom of Movement refers to the ability of citizens to travel, visa-free, outside their native land. As neo-nationalist and populist political movements gain traction in the West, usage of the phrase “freedom of movement” has become loaded with connotative associations. How much freedom do we have, and how much do we allow others? Interpreted poetically, the notion of “Freedom of Movement” also refers to the body itself: its ability to move, take action and have agency.

From a variety of perspectives, the works in the exhibition engage with movement as a political fact and explore the idea of movement, and migration, (a theme explored by Stedelijk over the past year). The show presents artworks addressing the restriction of movement, the varying power of nations’ passports, surveillance performed by the Dutch Immigration and Naturalization Agency, the conflicts of dual identity and the integrity of the body.

Submissions and selection

Artists working in the Netherlands were invited to submit work via an open call and, of the 399 submissions, a jury selected 20 artists to be shown in the exhibition: Isabelle Andriessen, Yael Bartana, Verena Blok, Melanie Bonajo, Kate Cooper, Danielle Dean, Deniz Eroglu, Juan Arturo García González, Sara Sejin Chang (Sara van der Heide), JODI, Jort van der Laan, Basir Mahmood, Polina Medvedeva, Rory Pilgrim, Falke Pisano, Michele Rizzo, Rafaël Rozendaal, Joy Mariama Smith, Jonas Staal, and Remco Torenbosch. During the exhibition, the Stedelijk will announce which pieces it has chosen to acquire for its internationally renowned collection.

Jury

The exhibition’s open call was juried by a group of five experts in the field of time-based media: choreographer Ligia Lewis, curator and Shadow Channel course director Juha van ‘t Zelfde, artist Harm van den Dorpel, and If I Can’t Dance curator Susan Gibb, chaired by Stedelijk Museum Curator of Contemporary Art, Time-based Media Karen Archey.

The Proposals for Municipal Art Acquisitions is a series of biannual exhibitions organised with the financial support of the Municipality of Amsterdam.