Presskit

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Installation view In the Presence of Absence. Proposals for the museum collection. Jennifer Tee, Tampan the Collected Bodies and Tampan Ship of Souls #2, 2020. Photo Peter Tijhuis.

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Installation view In the Presence of Absence. Proposals for the museum collection. Remy Jungerman, PROMISE IV, 2018–2019 (left) and Sadik Kwaish Alfraji, Sing like the Southerners Do, 2019 (right). Photo Peter Tijhuis.

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Installation view In the Presence of Absence. Proposals for the museum collection. Ahmet Öğüt, Bakunin’s Barricade, 2015–2020. With works from Else Berg, Timo Demollin, Marlene Dumas, Pieter Engels, Nan Goldin, Käthe Kollwitz, Jan Th. Kruseman, Kazimir Malevich and PINK de Thierry. Photo Peter Tijhuis.

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Installation view In the Presence of Absence. Proposals for the museum collection. DOMINIQUE, Sama Ite Wele Telu, 2020. Photo Peter Tijhuis. 

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Installation view In the Presence of Absence. Proposals for the museum collection. Natasja Kensmil, WEDDING PORTRAIT of Johan de Witt and Wendela Bicker, 2020. Photo Peter Tijhuis.

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Installation view In the Presence of Absence. Proposals for the museum collection. Kasper Bosmans, 9 Sisters and Legend: Vair Triptych, 2019–2020. Photo Peter Tijhuis.

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Installation view In the Presence of Absence. Proposals for the museum collection. Evelyn Taocheng Wang, Spreading Elegance, 2019. Photo Peter Tijhuis.

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Installation view In the Presence of Absence. Proposals for the museum collection. Leonardiansyah Allenda, Chapter 6: Marni, 2020. Photo Peter Tijhuis.

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Installation view In the Presence of Absence. Proposals for the museum collection. Gilleam Trapenberg, This surely must be paradise, 2020. Photo Peter Tijhuis.

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Installation view In the Presence of Absence. Proposals for the museum collection. Ghita Skali, Ali Baba Express: Episode 2, 2020. Photo Peter Tijhuis.

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Installation view In the Presence of Absence. Proposals for the museum collection. Pieter Paul Pothoven, facade suspended, 2018. observatie contra observatie, 2020. Photo Peter Tijhuis.

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Installation view In the Presence of Absence. Proposals for the museum collection. Werker Collective, Werker 2 — A Gestural History of the Young Worker, 2019. Photo Peter Tijhuis.

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Sadik Alfraji, Sing like the Southerners Do, 2019, sound-drawing installation. Courtesy the artist.

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Farida Sedoc, The Future Ain't What It Used To Be, 2019, collage on paper, 400 cm x 300 cm, screen prints on cotton (each 100 cm x 150 cm, Gentleman’s Agreement, Welcome To Society, The Sun Rises In The East). Photo Tom Janssen.

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Anna Dasović, Before the Fall there was no Fall. Episode one; Raw material, 2019, still. Courtesy the artist.

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Jennifer Tee, Tampan Natural System of Souls, 2019, tulip petal collage print on 316 grams museum etching paper, 186 x 165 cm. Courtesy Galerie Fons Welters, Amsterdam

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Kasper Bosmans, Legend Vair: Hercule + St. Ontcommer, 2016, courtesy the artist.

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Leonardiansyah Allenda, Chapter 6: Marni, 2020. Courtesy the artist.

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Natasja Kensmil, The Wedding Portrait of Johan de Witt and Wendela Bicker, 2020, detail, 2 x 250x140cm, 9 x 100x100cm, oil on canvas. Courtesy andriesse-eyck gallery. Photo Peter Tijhuis.

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Our Polite Society, FACIT Data, product catalog, 1971. FACIT AB archive, reproduced with the kind permission of Brukskultur Åtvidaberg.

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