Van der Stokker’s visual language of flowers, looping lines, clouds and curlicues in bold, bright colors, could be interpreted as naive and girly. With this, she questions widely-held notions of what constitutes ‘feminine’. Her work can be placed in the tradition of feminist art, which does not conform to prevailing standards of good taste. As such, she often exploits concepts that are ‘banned’ from contemporary art, such as the frivolous and decorative.
About the artist
Lily van der Stokker (born Den Bosch, 1954, lives and works in Amsterdam and New York) ran a gallery in New York in the 1980s and staged one of her first exhibitions at Museum Fodor, Amsterdam (1991). In the 1990s she received international acclaim with shows at venues such as the Walker Art Center (Minneapolis), Centre Pompidou, (Paris), Villa Arson, (Nice). Her work has recently been the subject of important solos at Tate St. Ives (2010), New Museum in New York (2013) and the Hammer Museum in Los Angeles (2015). She has also completed several monumental public art projects such as the Celestial Teapot, Hoog Catharijne, Utrecht, (2013) and Pink Building during the World Expo in Hannover (2000).